In the town of Broken Silence, where the streets vanished into the mist and clocks marked hours that did not exist, mirrors had a life of their own. No one remembered when this phenomenon had begun, but everyone knew that mirrors repaired themselves with sound. It was as if the cracks that appeared on their surfaces were wounds that could only be healed by hearing a melody, a whisper, or even the echo of a thought. The entire town lived in a constant symphony, where every sound had a purpose, and every silence was a threat. 

The protagonist of this story was a man named Evaristo, an itinerant musician who had arrived in town with his violin and a suitcase full of unanswered questions. Evaristo was no ordinary man; his eyes reflected the color of the stars on a moonless night, and his fingers, as they played the violin strings, seemed to weave invisible threads that connected the real world with the surreal. The first thing he noticed upon arriving was the sound. It wasn't just any sound, but a mix of voices, laughter, cries, and melodies that floated through the air like soap bubbles. Each bubble contained a fragment of life, and each fragment was absorbed by the mirrors that hung on the walls of the houses, in the shops, on the trees, and even in the sky. 

Evaristo stayed at the village inn, a place where the walls were covered with mirrors of all sizes and shapes. The innkeeper, a woman with silver hair and mist-like gray eyes, warned him, "Never stay silent for too long. Mirrors hate it." Evaristo nodded, but he didn't fully understand until that night, when he was left alone in his room. The silence was thick, almost tangible, and suddenly, a mirror on the wall began to crack. The crack spread like a black vein, and Evaristo felt the air grow heavier, as if the silence was trying to devour him. Without a second thought, he picked up his violin and began to play an ancient melody, one he had learned from his grandfather. The notes floated through the air, and the crack in the mirror began to close, as if the notes were threads stitching the wound. 

The next day, Evaristo went out to explore the town. The streets were full of people, but no one spoke out loud. Everyone whispered, sang, or hummed, as if they were afraid the silence would catch them. In the central square, a group of children played with a broken mirror. Every time one of them laughed, the mirror repaired itself a little, and the broken pieces came together like pieces of an invisible puzzle. Evaristo stopped to watch, fascinated by that absurd and poetic ritual. One of the children looked at him and said, "If you stay still too long, mirrors give you back what you've lost." Evaristo didn't understand what he meant, but the phrase stuck in his mind like a melody he couldn't stop repeating. 

As he walked, Evaristo came across a man named Silvestre, a local philosopher who spent his days sitting on a bench, staring into a mirror hanging from a tree. Silvestre explained to him that mirrors weren't just repaired by sound, but also reflected people's hidden truths. "Every crack in a mirror is a lie you've told, a secret you've kept, or a dream you've abandoned," Silvestre said, as he caressed the mirror's surface with trembling fingers. "But when the sound comes, the cracks close, and the mirror shows you who you really are." Evaristo became thoughtful. What would the mirror show him if he looked into it? Would he see the musician he was, or the man he had ceased to be? 

That night, Evaristo decided to give it a try. He stood in front of the mirror in his room and began to play a melody he had composed in his youth, one he had never shared with anyone. The notes filled the room, and the mirror began to glow with a dim light. Suddenly, the reflected image changed. It was no longer Evaristo who stood there, but a younger version of himself, with eyes full of hope and hands steady. Young Evaristo looked at him and said, “You have forgotten why you play.” The words rang through the air like a bell, and Evaristo felt something inside him break. But before he could respond, the image disappeared, and the mirror returned to normal. 

The following days, Evaristo immersed himself in the mystery of mirrors. He discovered that each one had a personality of its own, as if they were living beings. Some were joyful and mended with laughter, others were melancholic and needed tears, and still others, the most dangerous, responded only to silence. These last were known as the “dark mirrors,” and were said to devour the souls of those who dared to look at them too long. Evaristo felt a strange attraction to them, as if he knew that in their darkness he would find answers. 

One day, while walking through the forest surrounding the village, Evaristo found a dark mirror hanging on an old tree. The surface was black as ignorance, and the cracks running across it looked like scars from ancient battles. Evaristo approached cautiously, feeling the air around him grow colder. He knew he should be careful, but something in him was pushing him to look. He picked up his violin and began to play a slow, sad melody, one he had composed after losing someone he loved. The notes floated through the air, and the mirror began to vibrate. Suddenly, the surface cleared, and Evaristo saw an image that took his breath away: it was his mother, dead for years, smiling at him with a tenderness he had forgotten. “Do not be afraid of silence,” she told him. “Sometimes, it is in silence that we find the answers we seek.” The words echoed through his mind, and Evaristo felt a part of him heal. 

But the dark mirror was not finished with him. The image of his mother faded, and in its place appeared a shadow, a dark figure staring at him with empty eyes. “What have you lost?” the shadow asked in a voice that seemed to echo from everywhere and nowhere. Evaristo did not know what to answer, but he felt the question pass through him like desire. Suddenly, the mirror shattered into a thousand pieces, and Evaristo felt something inside him break, too. 

He returned to the village with a heavy heart, but with a new determination. He understood that mirrors were not only repaired by sound, but also reflected the broken parts of people. And if mirrors could heal, perhaps he could too. He began to play his violin in the streets, filling the air with melodies that spoke of loss, of love, of dreams, and of hope. The people of the village stopped to listen, and the mirrors shone with a light they had not had before. Each note was a thread that sewed up the cracks, not only in the mirrors, but in the souls of those who heard them. 

Over time, Evaristo became an essential part of the village. His melodies were like a balm for the invisible wounds they all carried within. The mirrors, once silent witnesses to the cracks in the soul, now vibrated with a new energy, as if they had finally found a purpose beyond reflecting material bodies. Evaristo, with his violin and his strange gaze, had become the architect of a world of sounds, where sound not only repaired mirrors, but also wove the broken threads of the lives of those who listened to it. 

But the town of Broken Silence held even more secrets. One afternoon, as Evaristo walked through the market, an old man whispered in his ear: "There is a mirror that cannot be repaired by sound. It is the Mirror of Eternal Silence. They say it is hidden in the catacombs under the church, and that whoever looks at it will see what they never wanted to see." Evaristo felt a shiver run down his spine. What could be more terrifying than facing what one has tried to forget? But at the same time, an insatiable curiosity pushed him to look for that mirror. 

That night, with his violin under his arm and a lamp in his hand, Evaristo descended into the catacombs. The walls were covered in moss, and shadows danced to the rhythm of the flickering flame. The air was cold and heavy, as if the weight of time itself had stopped there. After walking for what seemed like an eternity, he found the Mirror of Eternal Silence. It was larger than any other mirror he had ever seen, and its surface was so dark that it seemed to absorb the light. Evaristo approached cautiously, feeling the air around him grow thicker, more oppressive, more alive. He knew he shouldn’t look, but something in him compelled him to. 

He took up his violin and began to play a melody, but this time, the notes seemed to have no effect. The mirror remained motionless, as if sound could not touch it. Evaristo stopped, and at that moment, silence enveloped him completely. It was a different silence, deeper, older. And then, the mirror began to shine with a dim, cold light. The image that appeared was not his own, but that of a boy sitting in an empty room, staring at the floor where a reel lay. Evaristo recognized the boy immediately: it was himself, years ago, when his mother had passed away, although her presence was coming and going. The boy looked up and looked him straight in the eyes. "Why did you stop playing for her?" he asked in a voice that resonated in Evaristo's soul. 

The words hit him like a sledgehammer of memory. Evaristo remembered how, after his mother's death, he had put his violin away in a corner and sworn never to play it again. The pain had been so great that he had decided to bury it in The Cemetery of Dead Notes, next to Amadeus Mozart. But now, standing in front of the mirror, he understood that in doing so, he had buried a part of himself. The boy in the mirror reached out, as if to touch Evaristo through the glass. “Play for her,” he whispered. “Play for yourself.” 

Evaristo felt another’s tears welling up in his eyes, but they were not of sadness, but of release. He picked up his violin and began to play a melody he had composed for his mother, one he had never finished. The notes filled the catacombs, and the mirror began to vibrate. Suddenly, the image of the boy disappeared, and in its place appeared a warm, bright light. Evaristo felt something inside him heal, as if an old wound had healed at last. 

When he emerged from the catacombs, the town seemed different. The mirrors shone with a new light, and the people smiled as if they were people who had found something they had lost a long time ago. Evaristo understood that Egyptian mirrors were not only repaired by sound, but also helped people repair themselves. And he, with his violin and his music, had been the catalyst for that change. 

In the days that followed, Evaristo continued to play in the streets, but now his melodies were more joyful, more full of life. The townspeople gathered around him, and the mirrors reflected not only their faces, but also the vapors of their hearts. Silvestre, the philosopher, watched him from his bench, with a smile on his lips. "You have found your truth," he told him one day. "And in doing so, you have helped others find theirs." 

Evaristo knew then that his journey was not over. There were more mirrors, more secrets, more truths to discover. But now he knew that, as long as he had his violin and his music, he could face any silence, any darkness. Because sound did not only repair mirrors; it also repaired souls. 

Evaristo walked through the streets of Silencio Roto with his violin under his arm, feeling that each step resonated in the air like a musical note. The mirrors hanging on the walls followed him with their reflections, as if they were accomplices in his journey. Each one of them seemed to have something to say, something to show. On the corner of the main street, an oval mirror with a golden frame called to him with a particular glow. Evaristo stopped in front of it and, without thinking twice, began to play an improvised melody. The notes floated in the air, and the mirror responded with an image that took his breath away: it was himself, but not the Evaristo he knew, but a version of him that had never existed. This other Evaristo wore a suit made of autumn leaves and his violin was made of light. “Who are you?” Evaristo asked, but the reflection did not respond. Instead, he began to play a melody that Evaristo had never heard, but that felt deeply familiar. It was as if that music had always been inside him, waiting for the right moment to be released. 

As he played, Evaristo noticed that the mirror began to change. The surface became liquid, like a pond on a full moon night, and suddenly, he felt himself being absorbed by it. When he opened his eyes, he found himself in a place he could not describe with words. It was a landscape of colors that did not exist in the real world, shapes that moved as if they were alive, and sounds that did not come from any known instrument. Evaristo understood that he had entered the world of mirrors, a place where the rules of reality did not apply and where everything was possible. 

He walked through that surreal landscape, feeling that each step took him further than he had ever known. At some point, he came across a river that flowed upwards, and in its waters he saw the faces of all the people he had ever known reflected. Some smiled, others cried, but all seemed to be trying to tell him something. Evaristo leaned over the river and listened carefully. The voices coming from the water were soft, like whispers, but their words were clear: “Remember who you are.” 

Suddenly, the river dried up, and in its place appeared a crystal path that shone with a golden light. Evaristo followed it, feeling that each step brought him closer to something important. At the end of the path, he found a giant mirror, larger than any other he had ever seen. Its frame was made of intertwined branches, and its surface reflected not images, but emotions. Evaristo approached cautiously, feeling the air around him grow thicker. He knew that this mirror was special, that it held the secret he had been searching for. He picked up his violin and began to play. The notes filled the air, and the mirror responded with a light that completely enveloped him. Suddenly, Evaristo saw an image that left him speechless: it was the town of Silencio Roto, but not as he knew it. In this version, the mirrors were not broken, and the people were not afraid of silence. Everyone was smiling, and the air was filled with music. Evaristo understood that this was the truth that the mirror was showing him: the town could heal, but only if he found a way to heal first. "Why do you play, Evaristo?" Evaristo turned to see the innkeeper, her face tired and furrowed by the wrinkles of time. Her gaze was penetrating, whispering her concern. She approached slowly, with a walk that echoed in the silence of the empty dining room. 

"Because silence hurts," Evaristo replied, his finger caressing the neck of the violin. "And life, on the contrary, sounds." 

Her answer hung in the air, dancing with the notes still echoing in the room. She nodded, her silver hair falling softly with the movement. 

"You have to take care of yourself here, Evaristo. The silence in Broken Silence is no friend of those who cannot listen." 

Her warning was cut off by the sudden entrance of a salesman carrying a broken mirror. His cry, high-pitched and desperate, echoed through the inn. 

"I'm sorry, the crack suddenly widened. I couldn't stop it from breaking." 

Evaristo, intrigued, stepped closer. The mirror, now in pieces, seemed to regret its own existence, each fragment reflecting a tiny bit of disfigured reality. 

"What's wrong with this mirror?" 

The innkeeper sighed, her breath damp and tired. 

"Our mirrors are... sensitive. They break easily, and only the right tune repairs them." 

Evaristo, the traveling musician, happened to be in Broken Silence by chance. His suitcase, once filled with memories and dreams, now held only his violin. 

"And which tune is the right one?" 

"That, my dear, is what you must discover for yourself." 

Evaristo, a vagabond musician, replies to the innkeeper of Broken Silence that he plays the violin to combat the silence that causes him pain. She warns him that in the village, silence is not a friend of those who do not know how to listen. A vendor enters with a broken mirror, which the innkeeper explains breaks easily and only the right tune repairs it. Evaristo, intrigued, wants to know which tune is the right one. 

As night fell, Evaristo stepped out into the street, violin on his shoulder. The streets of the village were shrouded in mist, and the mirrors, hanging on every corner, watched him with empty eyes. He began to play, his tune floating in the breeze, and slowly, the cracks in the vendor's mirror began to close. People's faces lit up at the sound of his play, and life poured from their lips in every note. 

As he played, Evaristo realized that the life of the mirror and the people of Silencio Roto had a link. Every sound his violin produced seemed to heal an invisible wound in everyone's hearts. 

And in every mirror he repaired, life shone again. 

Evaristo continued his path through Silencio Roto, playing melodies that resonated in every corner of the peculiar place. Each mirror he healed revealed a truth to him, a fragment of the life of the one who possessed it. The cracks closed, and with them, the wounds of the soul that caused them. The people of the town looked at him with gratitude and wonder, and soon, their stories of forgotten loves, hidden secrets, and truncated dreams began to circulate. 

At night, Evaristo plays his violin in the street and discovers that his melody repairs the broken mirrors of Silencio Roto. As he heals the mirrors, he realizes that each one holds the life and emotions of the person who owns it, and that its sound heals invisible wounds in people's souls. People begin to admire it and share their personal stories with Evaristo. 

Away from the square, Evaristo discovered a mirror in a shop window that refused to be repaired. The owner, a bent old man, told him that the crack had formed the night his wife died. No melody, however beautiful, could heal it. Intrigued, Evaristo played a piece that the old woman used to sing to him, and the crack slowly closed. The old man, his face bathed in tears, thanked him, and gave him a medallion that hung from the mirror. 

Over the next few weeks, Evaristo dedicated himself to healing the town's mirrors. His songs echoed down every street, and life returned to normal. Conversations rose above the murmur, and laughter was heard again in the square. 

But one mirror resisted. Hanging in the church, its crack was the deepest Evaristo had ever seen. The shadow of a cleric, moving across the altar, watched it warily. "That mirror doesn't want to be repaired," the old man warned him. "It holds a secret that no one should see." 

Evaristo repairs a mirror that holds the memory of the shop owner's deceased wife by playing a melody she used to sing, which deeply moves him. His fame spreads and he continues to heal mirrors throughout the town, bringing life to Broken Silence. However, there is one mirror in the church that does not respond to the melody, and the old man warns him that this is due to a secret hidden within it that should not be revealed. 

Evaristo, a strange traveler with starry eyes, is staying at the inn in Broken Silence. The innkeeper explains the mystery of mirrors that break and repair themselves with sounds. Evaristo discovers that by playing his violin, mirrors repair themselves and reflect people's lives and emotions. His talent spreads through the town and people begin to trust his ability to repair their mirrors. A mirror in the church resists, keeping a secret that Evaristo wants to discover. 

Evaristo, driven by curiosity and conviction, approached the mirror. His favorite melody, the one his grandfather sang to him as a child, flowed through his fingers. The mirror vibrated with the intensity of its notes, and the crack began to close. Suddenly, the figure of the cleric became blurred, and Evaristo saw himself in childhood, crying in the church. His grandfather, in the image, whispered to him: "Only you can heal your soul, Evaristo. The melody you seek is that of truth." 

The crack closed completely, and the image disappeared. Evaristo knew it was the mirror that would show him who he really was. With a deep sigh, he lifted the lamp he held and entered the dark catacombs of the church, in search of the Mirror of Eternal Silence. 

Down there, the silence was overwhelming. His breathing echoed in the solitude, and fear tried to embrace him. However, the melody his grandfather whispered to him gave him the strength he needed. He played, and the mirror lit up. The image reflected was that of an Evaristo he did not recognize: a crying child, his violin silent on the floor. 

The mirror showed a buried memory: the night his grandfather discovered him playing the forbidden melody, the one that awakened life in the land of the dead. His grandfather, a face of compassion, told him: "Play, Evaristo, play and do not be afraid. Sound is life." Evaristo, young and ignorant, did not understand the price of life that his gift brought, and the village, in fear, exiled him. Evaristo, moved by the mirror's revelation, confronts his past in the church catacombs, reflecting the truth that his gift for healing mirrors through melody comes from his grandfather, who showed him the forbidden melody that would awaken life. He learned to play the melody that healed his soul and allowed him to face the Mirror of Eternal Silence, which shows him his past and the reason for his exile. 

Now, the melody that once drove him out echoed in the catacombs. The mirror trembled, and the image of the boy faded. In its place, the shadow of a giant mirror loomed, the black crack across it looking like a scar that drew his attention. The lamplight reflected in the crack, showing a mirror that was not of this world. 

With each note he played, the shadow became real, and the mirror became solid. It was the door to the past, to the life he left behind. The melody turned sad, and Evaristo cried for the boy he once was. However, the truth was revealed: the life the melody brought was not the one he believed. The crack closed, and the shadow faded, and in its place, the image of the village he once knew, full of laughter and smiles, was shown. 

Evaristo understood that the mirror did not only reflect what was seen, but what was felt. The silence that haunted him was the emptiness of his soul, the loneliness he chose when leaving his home. With the melody his grandfather gave him, he was able to heal the wounds of those he loved and those he refused to see. The mirror of eternal silence shattered, and light flooded the room. 

As he left the catacombs, Evaristo faced the mirror of the inn. The mirror that greeted him upon entering the village was no longer the one he remembered. His eyes, reflecting the moonless night sky, now shone with the certainty of who he was. His smile was that of a man finding peace. Evaristo faces the truth behind the melody that banished him, discovering that the life the melody brought was the emotional life he abandoned in his past. With the help of the mirror, which reflects not only what is seen, but what is felt, he manages to heal the wounds of his soul and those of the people he loves. The mirror of eternal silence shatters, and Evaristo emerges transformed, at peace with his identity. 

His journey was not in vain. Each mirror he healed in Broken Silence was a step in the right direction. The sound of his violin was the life that flowed through the earth, and the life that healed his own soul. With each scar he repaired, Evaristo discovered that the mirror he truly sought was the one found within himself, the mirror of his heart. 

With the melody of the broken mirror, Evaristo was able to see the mirror of truth. His mission now was to share the healing with the world. With each note he played, life flowed back, and the earth filled with the life that silence had taken from it. Broken Silence would no longer be a place of fear, but a refuge of sound and life. 

And there, in the plaza, with the people who gathered around him, Evaristo played the melody of life. The mirrors of heaven, once broken, now shone with the life that the earth could not give. And the earth, once dried up by silence, now blossomed with each note. Evaristo, the musician who was once cast out, was transformed into the light that guided others to healing. 

Evaristo recognizes that the mirror he sought was his own soul and that his mission is to share the healing he has discovered with the world. By playing the melody of life, he transforms Broken Silence into a refuge of sound and life, repairing the mirrors and giving life to the environment around him, and he becomes a guide who helps others heal their emotional wounds. In search of answers, Evaristo descends into the catacombs and faces the Mirror of Eternal Silence. The truth the mirror shows him is that his gift of healing mirrors stems from the melody that once stripped him of his past. By accepting the truth and healing his wounds, Evaristo transforms and helps the people of Broken Silence heal theirs, bringing the now silent and static surroundings to life with his mysterious melody. 

Following the path of life his grandfather showed him, Evaristo set out to travel the realm, playing his violin and repairing the broken mirrors of every soul he encountered. Every village he visited was a broken mirror that reflected the loneliness, fear, and sadness people hid behind their smiles. His melody spread, healing hearts, and with every scar he repaired, the land filled with color and life. 

On his way, he came across a mirror in the forest that complained of a silence that tormented it. The mirror was the entrance to a forgotten kingdom, a mirror that reflected the lives of those who were no longer there. With the melody he sang to his grandfather at the time of his departure, Evaristo was able to communicate with the spirits who lived there. The mirrors of the kingdom of silence broke before the life that his sound brought, and the trapped souls were able to cross the barrier that separated them. 

Evaristo set out to heal the mirror of the forest, and what he discovered was that life was not only that of those who still breathed. Life was that which flowed through everyone, the life that was found in every memory and every emotion. With each note he played, the earth was watered with the life that the mirror retained, and the forest was filled with the joy of souls at peace. 

Evaristo embarks on a journey through the kingdom, repairing the mirrors of wounded souls with his violin. Stumbling upon a mirror that reflects those who are no longer here, he uses the melody he played at his grandfather's departure to communicate with the spirits and heal the mirror, allowing life to flow again and the forest to be filled with the peace of souls. He learns that life does not only reside in those who live, but in the connection with memories and emotions. 

But his journey was not without challenges. He found mirrors he could not repair, which complained of a deep and bitter silence, reflecting bitterness and resentment. With patience and compassion, Evaristo played them songs that reminded them of life, laughter, love. Slowly, the cracks closed, and the shadows that inhabited the mirrors dissolved, allowing life to spill out onto the earth. 

Beyond the mountains, in the land of the wind, Evaristo discovered a mirror that could not be repaired with melody. It was a mirror that reflected the future life, a mirror that complained of the approaching silence. There, Evaristo composed the melody of the future, a melody that echoed in the earth, in the air, in the fire, and in the sky. With each note he played, the mirror filled with the life that had not yet been lived. 

And in the land of eternal silence, Evaristo stood before the mirror that reflected his own life. With trembling hands, he played the melody his grandfather gave him in his exile. The life that was once his, the life he believed was denied him, was reflected in the crack. With each note, the life he chose, the life he loved, the life he cried, the life that was his scar, came together in a single image. 

Evaristo faces mirrors that reflect negative emotions that are difficult to heal, using the melody his grandfather showed him. In the land of the wind, he creates the melody of the future that repairs a mirror that represents the life to come. Finally, he faces his own mirror that reflects his past, playing the melody that healed his scar, and the life that was once his comes together in a complete image, showing that he has accepted his path. 

With the light of the mirror that reflected the life that was, the life that was, and the life that would be, Evaristo was able to see the truth. The mirror was not just a mirror, it was the life we ​​all shared. Every scar, every smile, every tear, every note, every silence, every life, was linked in an eternal cycle of life and reflections. 

And there, in the land of the mirror, Evaristo played the melody of the cycle of life. With each cycle he completed, the land was filled with life, with sound, with color. Life flowed through each mirror that healed, and each scar that closed on the land, doors opened to the life that was not yet seen. Evaristo, the musician who was once expelled, became the light that guided people to healing. 

His fame spread throughout the kingdom, and soon, the noise of silence faded away. Villages and towns were filled with the melody of life, and the mirrors, which we once feared, now shined with the life they reflected. 

However, one mirror resisted. A mirror that was in the kingdom tower, the residence of the king and queen. Evaristo was summoned to the court, and there, the royal mirror complained of the life that was slipping away. The mirror, which reflected the life of the royal couple, broke in the face of the loneliness and hopelessness that the kingdom felt. 

Evaristo plays the melody of the cycle of life, healing not only mirrors, but the land and the eternal cycle of existence. His fame spreads and the silence retreats. However, the royal mirror in the palace tower breaks from the loneliness that affects the kingdom, reflecting the life of the monarch and his wife. Evaristo is summoned to the court to heal this mirror, which represents the life of the entire kingdom. On his journey, Evaristo heals mirrors that reflect life and loss, learning that life extends beyond the living through memories. He creates the melody of the future in the land of the wind, healing a mirror that symbolizes the life to come. He comes to terms with his own past with the melody that healed his scar. Summoned to the royal court, Evaristo faces the broken mirror that reflects the life of the monarch and his kingdom, broken by loneliness. 

Evaristo, a wanderer with the ability to repair mirrors with his violin, becomes integrated into Broken Silence, healing the wounds of the past as people share their stories through the reflection of the mirrors. In the catacombs, the Mirror of Eternal Silence reveals to him his own buried grief and prompts him to accept it. His gift extends to the future life and the past life, and he is summoned to the royal court by the monarch, who yearns for the sanction of his own mirror. 

The challenge was great, the life of the royal mirror was the life of the kingdom. With the melody his grandfather whispered to him on the night of farewell, Evaristo played, and life began to flow again. The queen, who was crying for the loss of her daughter, smiled, and life was reflected in her mirror. The kingdom was filled with the life the mirror reflected, and the land was watered with the life that silence once held. 

With the life the royal mirror reflected, Evaristo knew that his journey was not over. That life did not stop with a repaired mirror, but continued, an eternal cycle that repeated itself. With each scar that healed, with each mirror that he repaired, life expanded, the life we ​​all shared. 

And Evaristo, the wanderer who became the life of the mirror, continued on his way. His violin, the tool of life, the light in the darkness. Each note he played was a cycle that closed, each scar that was repaired was a cycle that opened. With each cycle, life was renewed, the life that flowed through all, the life that was life. 

His legacy expanded, life reflected in every mirror he touched, in every scar he healed. The land filled with the life that sound brought, and the silence was broken by the life Evaristo shared. The mirror that was once his prison, became the life that freed him, the life that reflected the life we ​​all shared. 

Evaristo repairs the royal mirror of the palace with the melody his grandfather gave him, healing the queen and filling the realm with life. He understands that his journey continues by repairing cycles of life in each mirror, and that his mission is to keep life flowing on earth. His violin becomes a symbol of life and eternal cycles, and his legacy expands as life reflects in every mirror he touches, breaking the silence that once trapped him. 

And Evaristo, the healer of mirrors, went off to find the life that was escaping, to heal the cycles that were broken. With each cycle he completed, life was renewed, the earth was filled with sound, and the life that was reflected in each mirror became the life we ​​all long for. The life that did not stop, the life that flowed, the life that was life. 

And his melody, the melody of life, the melody of the cycle, resonated in every corner of the kingdom, in every soul he touched. An endless cycle, a cycle of life, a cycle of sound. Evaristo, the healer of mirrors, the cycle of life, the cycle of sound. 

But the cycle of life does not stop at the melody. Life sometimes complains, breaks. And Evaristo, with each cycle he healed, discovered that the life reflected in the mirror was sometimes the life people feared. The life that was reflected in the earth, the life that complained, the life that was broken. 

In a distant village, Evaristo came across a mirror that could not heal. A mirror that reflected the life that the people refused to see. With the melody of the life it brought, the mirror shattered into a thousand pieces, and the life that was held back, escaped. The village was filled with the sound of broken silence, the sound of fear breaking. 

Evaristo sets out to heal all the cycles of broken life in the kingdom through his melody. However, he is confronted by a mirror that reflects the life that the people fear in a distant village, the mirror shatters and releases the life held back. The village is flooded with the sound of broken fear, showing that his journey is to confront and heal the shadows of life, not just the joys. 

But Evaristo did not stop. With each cycle he touched, with each mirror he healed, the life that the mirror reflected became the life that the people longed for. An eternal cycle, a cycle of life. And his melody, the melody of the cycle, the melody of life, spread across the realm, healing every soul that heard it. 

With each cycle, Evaristo discovered that life was not just the life that was seen, the life that was felt. Life was the life that was heard, the life that was dreamed. With each cycle he played, Evaristo came closer to the life he longed for, the life that was reflected in each healed scar, the life that was heard in each completed cycle. 

And the land, which had once complained of silence, now resonated with the life Evaristo brought. The cycle of life, the cycle of sound, the cycle that was repeated. With each cycle he completed, Evaristo came closer to the life that was his scar, the life that was reflected in each healing mirror. 

And there, at the top of the kingdom tower, Evaristo played the melody of the eternal cycle. The life that was reflected in the real mirror, the life that was heard in each healed scar, the life that was dreamed in each cycle that was repeated. And the kingdom, once filled with the noise of silence, was now filled with the cycle of life, the cycle of sound, the cycle that was life. 

Evaristo continues to travel, healing mirrors and souls, discovering that life is not only seen and felt, but heard and dreamed. With each cycle he completes, his own life is reflected in each healed scar. Finally, in the kingdom tower, he plays the melody that unites all cycles, filling the kingdom with the life that is both an eternal cycle of sound and a cycle of mirrored reflections. 

Evaristo heals the royal mirror, healing the queen and rekindling life in the kingdom. His journey continues to heal cycles of life in each mirror he touches, and he faces the dreaded life in a village, which shows him that his mission is to encompass the totality of existence. His melody becomes an eternal cycle that unites sound and reflections, repairing the final mirror in the kingdom tower, symbolizing the life that flows endlessly. 

And the land, once dried up by silence, now bloomed with the life that the melody brought. The cycle of life, the cycle of sound, the cycle that was life. Evaristo, the mirror healer, the cycle of life, the life that flowed, the life that was life. 

His journey continued, and with each cycle he healed, life expanded, life that flowed, life that was reflected. Evaristo, the cycle of life, the cycle of sound, the life that was life. With each cycle he touched, the land was watered with the life that the mirror reflected, the life that the cycle held. 

And life, the life that complained, the life that was broken, the life that was remade, the life that was reflected, the life that was heard, the life that was dreamed, the life that was loved, the life that was life. Evaristo, the healer of mirrors, the cycle of life, the life that was life. 

With each cycle that Evaristo healed, each mirror that he touched, the life of the kingdom was renewed. The cycle of life expanded, and the cycle of sound became more and more powerful. Villages filled with laughter, stories, love, and dreams. The mirrors, which we once feared, became our confessors, showing the life we ​​chose, the life we ​​were. 

Evaristo continues his journey healing life cycles and reflecting the desired life in each mirror, making them a source of life and eternal cycles of sound. The earth responds to his melody by blossoming, and life expands in each village he visits. The mirrors, which used to inspire fear, become confessors of the life we ​​chose to be and the life we ​​really are. 

But the cycle of life is not perfect. Life sometimes complains, breaks. And Evaristo, with each cycle he played, discovered that the life the mirror reflected was sometimes the life people hid. The life that complained, the life that broke. In a village plunged into sadness, Evaristo faced a mirror that he could not heal. A mirror that reflected the life that people rejected, the life that they complained about, the life that was broken. 

With the melody of life, Evaristo tried to heal the mirror, the life of the village. The notes floated in the air, the life that people longed for, the life that was dreamed of, the life that was life. But the mirror resisted, the life that was reflected complained, the life that was broken complained. Evaristo knew that he could not heal the life that people refused to see, the life that was rejected. 

Only the life that is accepted, the life that is loved, the life that is shared, is reflected in the healed mirrors. With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in the mirror, the life that people longed for, the life that was dreamed of. The cycle of life, the cycle of sound, the life that was reflected in each healed scar. In a sad village, Evaristo faces a mirror that does not mend. He understands that the life reflected in mirrors is the one people choose to accept and love. He plays the melody of the eternal cycle, which represents the life reflected in each healed scar, the life dreamed of and the life shared. With the life that flows through his being, he tries to heal the life that people reject in the village. 

The village, once filled with the broken silence, now resonated with the life Evaristo shared. With each cycle that healed, the life that was reflected in each scar that closed, the life that was heard in each cycle that was completed. The land was filled with the cycle of life, the cycle of sound, the cycle that was life. Evaristo, the cycle of life, the life that flowed, the life that was life. 

And his journey, the journey of the cycle, continued. With each cycle he played, life expanded, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle he healed, the earth was watered with the life that the mirror reflected, the life that the cycle sustained. And life, the life that complained, the life that was broken, the life that was remade, the life that was reflected, the life that was heard, the life that was dreamed, the life that was loved, the life that was life. 

Evaristo, the healer of mirrors, the cycle of life, the life that flowed, the life that was life. With each cycle he played, life was renewed, the earth was filled with the life that the melody brought. The cycle of life expanded, the cycle of sound became more and more powerful. The villages were filled with laughter, stories, love and dreams. The mirrors we once feared became our mirrors of the soul, showing the life we ​​chose, the life we ​​were. 

Evaristo heals life cycles in the village, transforming silence into resonances of life. With each cycle that he plays, the earth regenerates with the life reflected in each healed scar. Life expands as the melody flows, and the earth is filled with joy, stories, loves and dreams. Mirrors become mirrors of the soul, reflecting the life we ​​choose. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo, the cycle of life, the cycle of sound, the life that was life. With each cycle that healed, the life that reflected the mirror became the life we ​​all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. 

His journey was not in vain, each cycle that healed was a cycle that was repeated. Each scar that was closed, each cycle that was completed, the life that was reflected became the life that was life. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle he touched, the earth was watered with the life that the mirror reflected, the life that the cycle held. 

But life does not stop. Life complains, it breaks. And Evaristo, the healer of mirrors, the cycle of life, the life that flows, the life that was life, knew that his journey could not end. With each cycle he healed, the life that was reflected became the life that people longed for, the life that was dreamed of. The life that flows, the life that is reflected, the life that is life. 

As Evaristo heals cycles of life, the earth is renewed and life is reflected in the mirrors. Each healed cycle repeats itself, and the life they reflect becomes the desired life. His journey, without end, continues, as life complains and breaks, and the cycle of sound keeps him moving, healing and reflecting the life that people long for. 

And there, on the top of the mountain, Evaristo played the melody of the eternal cycle. The cycle of life, the cycle of sound, the life that flows, the life that was life. And the earth, which once complained of silence, now resonated with the life that Evaristo brought. The cycle of life expanded, the cycle of sound became more and more powerful. And life, the life that complained, the life that was broken, the life that was remade, the life that was reflected, the life that was heard, the life that was dreamed, the life that was loved, the life that was life. 

Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that he played, life was renewed, the earth was filled with the life that the melody brought. The cycle of life expanded, the cycle of sound became more and more powerful. The villages were filled with laughter, stories, love and dreams. The mirrors, which we once feared, became our soul mirrors, showing the life we ​​chose, the life we ​​were. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo, the cycle of life, the cycle of sound, the life that flows, the life that was life. With each cycle that healed, the life that was reflected became the life we ​​all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. 

Their journey, the journey of the cycle, continued. With each cycle that healed, life expanded, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the mirror reflected, the life that the cycle held. Life was renewed, the life that was reflected became the life that was life. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that he played, life was renewed, the earth was filled with the life that the melody brought. The cycle of life expanded, the cycle of sound became more and more powerful. And life, the life that complains, the life that breaks, the life that was remade, the life that was reflected, the life that was heard, the life that was dreamed, the life that was loved, the life that was life. 

Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the life that the mirror reflected became the life we ​​all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. His journey, the journey of the cycle, continued. With each cycle that healed, life expanded, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the mirror reflected, the life that the cycle sustained. 

But life, the life that complains, the life that breaks, the life that complains. Evaristo faced a mirror that reflected the life that people hid, the life that was rejected. A mirror that could not heal, not with the melody of life, not with the life that was dreamed of. He understood that the life that flows, the life that is reflected, the life that is life, does not stop, does not break. But it complains, breaks and remakes itself. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each scar that was closed, the life that was heard in each cycle that was completed. The cycle of life expanded, the cycle of sound became more and more powerful. The villages were filled with the life that the melody brought, the life that was reflected, the life that was life. 

And his journey, the journey of the cycle, continued. With each cycle that healed, life was renewed, the earth was filled with the life that the melody reflected. The life that complained, the life that broke, the life that was remade, the life that was reflected, the life that was heard, the life that was dreamed. Evaristo, the cycle of life, the life that flows, the life that was life. 

And life, the life that complains, the life that breaks, the life that complains. With each cycle that healed, the life that was reflected became the life that we all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. His journey, the journey of the cycle, could not end. With each cycle that healed, the earth was watered with the life that the mirror reflected, the life that the cycle sustained. 

But Evaristo could not heal everything alone. The cycle of life required the participation of everyone. He began to teach classes in the village, to all those who wanted to learn to play an instrument, to sing, to create sounds that would heal wounds. As time went by, the people of Broken Silence became more and more aware of their own cycle, and the mystery of the mirrors became a living legend told in every home. 

The streets of the village filled with the life that Evaristo brought to each healed cycle. People hummed their favorite cycles, children played with reed flutes that made the life the earth longed for sound, and mothers hummed to their babies the melodies Evaristo had shown them. Life flowed through each cycle that people created, life that was reflected in each scar that was closed. 

But one cycle could not heal all the mirrors. Some had scars too deep, wounds that life could not heal. These mirrors, which Evaristo called "forgotten mirrors", were hidden in the most remote places of the soul, in the life that people were afraid to face. He learned that the cycle of life could not replace the cycle of silence, the life that complains, the life that breaks. 

One night, Evaristo faced one of those forgotten mirrors. It was in the inn room, hidden behind a curtain. The life that was reflected was that of a broken cycle, a cycle of silence and loneliness. The innkeeper, the silver-haired woman, approached him with eyes full of fear. She told him that her daughter was gone, that her cycle was broken, and that the mirror reflected the life she could not share. Evaristo took his violin and played the melody that people used to heal mirrors. 

The notes slid across the room, enveloping the innkeeper and her broken cycle. The mirror trembled, the life that was reflected complained, the life that was broken complained. But the life Evaristo brought was not the life the mirror wanted. It was the life that people longed for, the life that was dreamed of, not the life that was rejected. He understood that his cycle, the cycle of sound, could not heal what people did not want to see. That the life that flows, the life that is reflected, the life that is life, is only healed by the life that is accepted, the life that is loved, the life that is shared. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in the mirror complained, broke, complained. The life that people hid, the life that was rejected. With each cycle that healed, the life that the mirror reflected became the life that we all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. 

His journey, the journey of the cycle, continued. With each cycle that healed, the earth was watered with the life that the mirror reflected. Life was renewed, the life that was reflected became the life that was life. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the life that was reflected became the life we ​​all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo faced a mirror that could not heal, a mirror that reflected the life that people feared. A mirror that broke into pieces, that reflected the life that was rejected. He understood that the cycle of life could not replace the cycle of silence, the life that complains, the life that breaks. 

With each cycle that healed, Evaristo discovered that life was not only reflected in mirrors, but was reflected in each cycle that people created. In each cycle that people shared, in each cycle that life flowed. The life that complained, the life that was broken, the life that complained, became the life we ​​all long for, the life that is loved, the life that is shared. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo continued his journey, playing the melody of the eternal cycle. The life that flows, the life that is reflected, the life that is life. With each cycle that healed, the life that was reflected became the life we ​​all long for, the life that is loved, the life that is shared. And the earth, which once complained of silence, was filled with the life that the melody brought. 

But Evaristo knew that his cycle could not heal all the mirrors. There were cycles that life could not heal. There were cycles that people kept deep within, cycles of silence and loneliness. A cycle of life could not replace the cycle of silence, the life that complains, the life that is broken. He realized that the cycle of life could not heal what people did not want to see. That the life that flows, the life that is reflected, the life that is life, is only healed by the life that is accepted, the life that is loved, the life that is shared. 

Evaristo stopped at each cycle that healed, at each cycle that was broken. In each cycle that the life that was reflected complained, the life that people did not want to see. He began to understand that his cycle, the cycle of sound, was only a mirror of the eternal cycle. That the life that flows, the life that is reflected, the life that is life, is healed by the life that is lived. With the life that complains, the life that is broken, the life that complains. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the life that was reflected became the life we ​​all long for, the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. His journey, the journey of the cycle, could not end. With each cycle that healed, the earth was watered with the life that the mirror reflected. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo faced a mirror that could not heal, a mirror that reflected the life that people feared. A cycle of life could not heal the life that was rejected. He realized that the cycle of life could not replace the cycle of silence, the life that complains, the life that breaks. 

With each cycle that he healed, Evaristo discovered that life was not only reflected in mirrors, but was reflected in every cycle that people created. In each cycle that life flowed. The life that complained, the life that broke, the life that complained, became the life that we all long for, the life that is loved, the life that is shared. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each cycle that healed complained, broke, complained. The life that people hid, the life that was rejected. He began to teach classes to all those who wanted to learn to play, to sing, to create sounds that healed wounds. With each cycle that healed, the life that was reflected became the life that we all long for, the life that is loved, the life that is shared. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the earth was watered with the life that the mirror reflected. With each cycle that healed, life was renewed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the cycle sustained. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo faced a mirror that could not heal, a mirror that reflected the life that people feared. A cycle of life could not heal the life that was rejected. He realized that the cycle of life could not replace the cycle of silence, the life that complains, the life that breaks. With each cycle that he healed, Evaristo discovered that life was not only reflected in mirrors, but was reflected in each cycle that people created. In each cycle that life flowed. The life that complained, the life that broke, the life that complained, became the life that we all long for, the life that is loved, the life that is shared. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each cycle that he healed complained, broke, complained. The life that people hid, the life that was rejected. He began to teach classes in the village, to all those who wanted to learn to play, to sing, to create sounds that would heal wounds. With each cycle that healed, the life that was reflected became the life we ​​all long for, the life that is loved, the life that is shared. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the earth was watered with the life that the mirror reflected. With each cycle that healed, life was renewed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the cycle sustained. 

Write the next part of this story. You are to write four more paragraphs only. No more, no less. Write in a clean, crisp, and engaging style. 

With each cycle healed, Evaristo came closer to understanding the mirror and life. The legends of the mirror became songs in the streets, the life that flows, the life that is reflected. The life that people created, the life that was loved, the life that was shared. The cycle of sound was intertwined with the cycle of the eternal cycle, the life that complained, the life that was broken, the life that complained. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo faced the life that was broken, the life that complained. Teaching people to accept their cycle, to love their cycle, to share their cycle. With each cycle that life flowed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the life that was reflected became the life that we all long for. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each cycle that healed complained, broke, complained. The life that people feared, the life that hid. He began to see that the cycle of life was not only his cycle, but the cycle of all. That the life that flows, the life that is reflected, the life that is life, is healed by the life that is accepted. With the life that complains, the life that is broken, the life that complains. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo became a living cycle, a mirror that reflected the life that people longed for. With each cycle that healed, the life that was reflected became the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. 

His cycle, the cycle of sound, expanded through the forest, along the path that led to the broken mirror. The life that flowed through the earth was reflected in each cycle that healed. Evaristo realized that the cycle of the eternal cycle could not heal all the cycles. There were cycles that life could not heal, cycles that people kept silent. 

With each healed cycle, Evaristo became more than a cycle, he became an eternal cycle. A cycle that traveled, that played, that reflected life. The life that complains, the life that breaks, the life that complains. With each cycle that healed, life was renewed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the cycle sustained. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo continued his journey, playing the melody of the eternal cycle. In each cycle that life flowed, in each cycle that was reflected, the life that complained, the life that was broken, became the life that we all long for, the life that is loved, the life that is shared. Life that flows, life that is reflected, life that is life. With each cycle that healed, the earth was filled with the eternal cycle. 

The cracks in the mirrors closed, and the life that was reflected became the life that people loved. The life that complained, the life that was broken, the life that complained. With each cycle that healed, the life that was reflected became the life that was heard, the life that was dreamed. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the earth was watered with the life that the cycle reflected. 

Evaristo faced the life that was broken, the life that complained. In each cycle that healed, the life that was reflected complained, broke, complained. The life that people hid, the life that was rejected. He began to understand that the cycle of life was not only his cycle, but the cycle of all. That the life that flows, the life that is reflected, the life that is life, is healed with the life that is accepted, the life that is loved, the life that is shared. 

With each cycle that healed, the life that was reflected became the life we ​​all long for. The life that flows, the life that is reflected, the life that is life. With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each cycle that he healed complained, broke, complained. The life that people feared, the life that hid. He realized that the cycle of the eternal cycle could not heal all the cycles. There were cycles that life could not heal, cycles that people kept silent. 

But life, the life that complains, the life that is broken, the life that complains, continued to flow. With each cycle healed, the life that was reflected became the life that is loved, the life that is shared. The life that flows, the life that is reflected, the life that is life. Evaristo, the cycle of life, the life that flows, the life that was life. With each cycle that healed, the earth was watered with the life that the cycle sustained. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo continued to touch, continued to heal, continued to reflect. He continued traveling through the eternal cycle, playing the melody that life dictated to him. With each cycle that healed, life was renewed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that healed, the earth was watered with the life that the cycle reflected. 

And life, the life that complains, the life that breaks, the life that complains. Evaristo, the cycle of life, the life that flows, the life that was life, faced the life that complained, the life that broke. With each cycle that healed, the life that was reflected complained, broke, complained. The life that people feared, the life that hid. He began to understand that the cycle of the eternal cycle could not heal all the cycles. There were cycles that life could not heal, cycles that people kept silent. 

But life did not stop. The life that flows, the life that is reflected, the life that is life. Evaristo continued his cycle, playing the melody that life dictated to him. With each cycle that he healed, the earth was filled with the life that the cycle reflected. The life that complained, the life that was broken, the life that complained. He continued his journey, healing, reflecting, playing the melody of the eternal cycle. 

While traveling, Evaristo came across mirrors that repaired themselves with sounds that did not exist, cycles of life that complained, cycles of life that were broken. With each cycle that he healed, life was renewed, the life that was reflected, the life that was heard, the life that was dreamed. With each cycle that he healed, the earth was watered with the life that the cycle sustained. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo continued, healing, reflecting, touching. Life that flows, life that is reflected, life that is life. With each healed cycle, the earth was filled with the eternal cycle. With each cycle healed, the life that was reflected became the life that is loved, the life that is shared. The life that complained, the life that was broken, the life that complained. 

With each cycle that was healed, Evaristo became an eternal cycle, a cycle that traveled, that played, that reflected life. The life that complains, the life that is broken, the life that complains. With each cycle that life flows, with each cycle that is reflected, the life that complained, the life that was broken, became the life that is loved, the life that is shared. With each cycle that was healed, the earth was filled with the eternal cycle. 

With the life that flowed through his soul, Evaristo played the melody of the eternal cycle. The life that was reflected in each cycle that was healed complained, broke, complained. The life that people feared, the life that was hidden. He realized that the cycle of life was not only his cycle, but the cycle of all. That the life that flows, the life that is reflected, the life that is life, is healed by the life that is accepted, the life that is loved, the life that is shared. 

With each cycle that healed, the life that was reflected became the life that we all long for. The life that flows, the life that is reflected, the life that is life. Evaristo faced the life that complained, the life that was broken. Teaching people to accept their cycle, to love their cycle, to share their cycle. With each cycle that healed, the life that was reflected complained, broke, complained. 

And life, the life that complains, the life that is broken, the life that complains. Evaristo became a living cycle, a mirror that reflected the life that people longed for. With each cycle that healed, the life that was reflected became the life that was or.

By Carlos del Puente relatos