Here’s your English translation, keeping tone and narrative flow intact:

 Here’s your English translation, keeping tone and narrative flow intact: VIDEO

“I need a phone. A secure line.”

Valeria is already moving, slipping the flashlight into her pocket. She pulls out a black, slim phone with no distinguishing marks.

“Here. It’s clean. We use it once and toss it.”

I take the phone. The screen lights up at my touch. No apps, just a numeric keypad.

“Do you know Emma’s number?”

“She changes it every week. But Marcus gave me a way to contact her without calling directly.”

I pull the photograph from my pocket and look at it once more. The baby. My son. I don’t know his name. I don’t know if he learned to walk, to speak, to laugh. I don’t know anything.

I tuck the photo away carefully, as if it might break with movement.

“Explain that part—contacting her without calling.”

Valeria closes the safe and slides the brick panel back into place. The wall returns to its solid, impenetrable appearance.

“She has an encrypted voicemail. You leave a message with a specific code, and she retrieves it when she can. Never from the same number, never from the same place. That’s how Marcus coordinated your extraction when you chose to erase yourself.”

“And the code?”

“Only you know that.”

I rest my hands on the surface of a machine covered with a tarp. Dust rises in small clouds. I close my eyes and try to find something in the void—some fragment that tells me what number to dial.

Emma.

The hotel room.

Locker 1408.

But an encrypted voicemail needs something more personal. Something only the two of us share.

I open my eyes.

“The first song we danced to,” I say quietly, more to myself than to Valeria. “It was at a bar downtown. I don’t remember the name of the bar, but I remember the song. ‘At Last,’ by Etta James.”

Valeria watches me without saying a word.

I dial the number Valeria gives me, a Chicago number with an extension I’ve never seen before. The phone rings once, twice. Then a recorded message:

“Leave your message after the tone. If you know the code, say it now.”

“1408,” I say.

A pause. Then another tone, longer.

“Emma,” I say, and my voice sounds strange, as if it doesn’t belong to me. “It’s me. Jack. I don’t know if you remember that name, or if you’d rather forget it. But I need to see you. I need to know that you and the child are okay. The organization is looking for you. They’ve been searching for months. I don’t know how much time we have, but we have to meet. Call me at this number when you get this. Please.”

I hang up.

The silence in the warehouse grows heavy. Valeria remains standing by the wall, watching me with an expression I can’t read.

“And now what?” I ask.

“Now we wait.”

“I don’t have time to wait.”

“You don’t have another option. If you call too many times, the organization could trace the line. Emma knows how this works. She’ll contact you when she can.”

I lean my back against the wall and slide down until I’m sitting on the floor. The concrete is cold, but I don’t care. The dampness of the warehouse seeps through my clothes, but I barely notice.

“I have a son,” I say quietly.

“I know.”

“And I don’t remember anything about him. I don’t remember his name, his face, or ever holding him.”

Valeria sits beside me, leaving the flashlight on between us. The light casts long shadows across the warehouse walls.

“You did what you did to protect them,” she says. “You erased your memory so that, if they caught you, you wouldn’t be able to betray them—not even under torture. It was the only way to make sure they could never find them through you.”

“But they’re looking for them.”

“Yes. But they haven’t found them yet. And as long as you’re still alive, there’s hope.”

Valeria’s words feel like a blade. Because I know she’s right—but I also know that every minute brings the organization one step closer to Emma and my son.

The phone in my hand vibrates.

I look at the screen. An unknown number.

I answer without saying anything.

“Jack?”

Her voice. Emma. The same voice that appears in my fragmented dreams, in the nightmares that haunt me every night.

“I’m here.”

“Listen to me. We don’t have much time. I know where you are. Well, not exactly, but Valeria sent me a signal when you arrived. I know you’re in Chicago.”

“Emma, I need to see you.”

“You can’t. Not yet.”

“Why?”

A long pause. I can hear her breathing on the other end.

“Because I’m not alone. The child is with me. And I’m not going to risk them finding both of you together. If they capture you, at least one of us has to stay free to protect him.”

“Tell me where you are. I’ll come alone.”

“No.”

Her voice is firm, but there’s a tremor beneath it, like a string about to snap.

“Listen, Jack. There’s a place. A motel on the outskirts of Madison, on Highway 14. The Sunrise Motel. Room 7. I’ll be there tomorrow at dusk. If I don’t show up, it means they caught me. If that happens, erase this number and don’t try to find me. Do you understand?”

“I’ll be there.”

“Jack…”

Another pause. When she speaks again, her voice is softer, almost inaudible.

“I’m still wearing the necklace you gave me. The one with the key. I never take it off.”

The line goes dead.

I stare at the phone screen, feeling the weight of her words. The key necklace. I don’t know what it means, but something in my chest tightens when I hear it.

“Well?” Valeria asks.

“Tomorrow at dusk. Madison. A motel on Highway 14.”

She nods and stands, extending a hand to help me up.

“Then we have time. Let’s find somewhere to spend the night, and we’ll head out early tomorrow.”

I take her hand and stand. The photograph of Emma and my son is still in my pocket, against my chest, like a heartbeat I didn’t know existed.

We leave the warehouse. The rain has stopped, leaving behind a low gray sky, heavy with clouds that promise more storms. The air smells of wet asphalt and earth.

I get into Valeria’s car and look out the window as the engine comes to life. The streets of Chicago stretch out before us, damp and silent, like a maze I may never escape.

But now I have a destination.

And a reason to see this through to the end. And a reason to see this through to the end.

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